Following an inspiring comparative exploration of the Italian operatic scene in the late nineteenth century and in the first half of the twentieth, Risorgimento strumentale (Instrumental Renaissance) is a comprehensive series devoted to the valiant composers who succeeded in reinvigorating Italian instrumental music in the same period by rediscovering the diverse and luxuriant heritage of Italian pre-Romantic music and merging it with Romantic innovations, avant-garde research and modern instrumental technique.
THE PROGRAMME OF THE CYCLE
26 March
Italian composers & European models
20 April
Martucci, Pizzetti, Respighi - Piano and violin sonatas
3 May
Casella, Respighi, Pizzetti, Sgambati - Piano solo and four hands
30 May
Bossi, Respighi, Sgambati - Piano and violin sonatas
20 September
Busoni, Martucci, Sgambati - Piano
FIRST EPISODE
ITALIAN COMPOSERS AND EUROPEAN MODELS
This opening concert - performed by three acclaimed young Italian musicians – is an attempt to show the impact of some prominent national schools, outstanding foreign models and international musical movements on the works created by the Italian composers born in the second half of the nineteenth century, and especially by the ambitious group of innovators called “Generazione dell’Ottanta (Generation of the 1880s)”.
Programme
Anton Stepanovich Arensky, Trio n. 1 op. 32
Ottorino Respighi, Aubade from Cinque pezzi per violino e pianoforte P062
Giuseppe Martucci, Romanza n. 2 from Due romanze per violoncello e pianoforte op. 72
Ottorino Respighi, Romanza from Cinque pezzi per violino e pianoforte P062
Alfredo Casella, Sicilienne et burlesque op. 23 bis
Performers
Trio Carducci
Germana Porcu, violin
Matilda Colliard, cello
Sara Costa, piano
For more information about the Trio, please, visit: www.triocarducci.com
Informazioni
Data: Lun 26 Mar 2018
Orario: Alle 19:30
Ingresso : Libero
